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Shakuntala Devi Movie Online Streaming on Amazon Prime Video. Shakuntala Devi is a Hindi film with English subtitles. Shakuntala Devi is a Hindi-language film, and a real-life mathematics Indian mathematics, Shakuntala Devi, also known as ‘The Human Computer’.

Shakuntala Devi movie prime: Vidya Balan plays the titular Shakuntala Devi, and the film depicts the journey from childhood to success. The movie also throws light on the personality, life and character traits of Shakuntala Devi.


who is known in the world only for her prodigious math skills. The films showed how she adopted her individuality, had a strong feminist voice and overcame many obstacles to reach the pinnacle of success and heard her voice in the dominant masculine world of mathematics.


There is not much information about her personal life, her husband, or family. The film will also tell the world how she met and married her husband, and about her married life. Jisshu Sengupta plays Shakuntala Devi’s husband in the film, and Sanya Malhotra and Amit Sadh play the roles of their daughter and son-in-law respectively. Starring Vidya Balan, Jishu Sengupta, Sanya Malhotra, and Amit Sadh. Directed by Anu Menon, written by Anu Menon, Nayanika Mahtani, Ishita Moitra

Authors: Anu Menon, Nayanika Mahtani, Ishita Moitra

Cast: Vidya Balan, Sanya Malhotra, Jishu Sengupta

Cinematographer: Keiko Nakhra

Editor: Antara Lahiri

On Streaming: Amazon Prime Video

Shakuntala Devi is a biopic of a woman without any boundaries. The real-life Shakuntala was a math wizard, famous as a human computer. His name was recorded in the Guinness Book of World Records. She was a globe-trotting stage performer, an in-demand astrologer, a best-selling book author, with an early record of being gay in India and an aspiring politician standing for elections. It was a woman filled with ambition and dynamism, who refused to be veiled by social norms.

In the film, she says, why be amazing when it is amazing? ‘But talent comes at a cost. Shakuntala’s marriage broke up and her relationship with her daughter became so strained that at one point of time, she filed a criminal case against him.

Shakuntala Devi gains emotional momentum in the second hour when the film focuses on the sinister relationship between her and Anupama and the similarities in her life. Shakuntala, who started performing from the age of 6, expressed her displeasure to her parents for making a show pony and the only earning member of the family. But as she grows older, she begins to understand her compulsions. Anupama started the same journey of reconciliation with her mother. The film is “seen through the eyes of a daughter as a true story.” In real life Anupama and her husband are the first people to thank in the opening titles.

This relationship provides the backbone of the film. Because we see the tableaux in the formidable armor of Shakuntala. She is also impulsive, insecure, selfish, arrogant. And it is in these moments that we have come into his life. Vidya Balan does a fantastic job of embodying this moving contradiction of a woman. She captures Shakuntala’s ability to enter any room, but Vidya also, with sympathy, discovers her flaws. His and beloved Sanya Malhotra ended this thorny relationship even when writing was working against him. In a stunning scene, Shakuntala and Anupama show affection for each other. The audience, all men, shake their head and say: Mothers and daughters. It is clumsily staged but somehow, two artists employ it.

The film’s dazzling beauty also contributes to less affecting the story. The camerawork, production design, costumes and make-up are all so sparse that the complexities and challenges of Shakuntala Devi’s life have ended unknowingly. And in any case, the screenplay is not interested in detailed exploration – in one scene, after solving a difficult motherhood vs. career problem within minutes, Shakuntala herself remarks: Itni Jaledi solves the problem. Main toh soha chide baade patakaye chalenge

But these fireworks never come. And some of the most dramatic moments of her life, such as discovering that her ex-husband is gay, are judiciously pointed around.

Menon and the author do their best to create compelling images of a woman whose very existence defines patriarchy – even her sari and braids played a key role in breaking stereotypes. But the film fails to fully examine the tension between Shakuntala Devi’s clarity in mathematics and the filth of her life.

In an interview in Hong Kong in 1996, Shakuntala said: Nobody challenges me. I challenge myself. I wish his biopic had the same amount of disregard and guts.

You can find Shakuntala Devi on Amazon Prime.

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